The extraordinary success of El Salon Mexico ushered in a decade of intense activity which embraced many of Copland's most celebrated pieces, including Fanfare for the Common Man and three popular ballets, Billy the Kid, Rodeo and Appalachian Spring. ![]() His impact on American musical culture was on a par with his friend and supporter Leonard Bernstein. His return to New York was marked not only by such exuberant orchestral pieces as Music for the Theatre and the jazz-orientated Piano Concerto, but also a new enthusiasm for a whole range of other musical disciplines, including lecturing, concertising (as pianist), and lending enthusiastic support to the work of local music societies.īy the late 1930s Copland had developed a magical sound-world that seemed to encapsulate the North American pioneering spirit. His first published piece was The Cat and the Mouse, a Debussyian miniature for solo piano.Ĭopland spent three years in Paris between 19, studying with Nadia Boulanger. By the age of five he was inseparable from the family piano, while childhood visits to see Walter Damrosch conduct the New York Symphony and Isadora Duncan as a member of Diaghilev's Ballets Russes company sparked his imagination.Ĭopland started composing seriously after he began piano studies with Rubin Goldmark in 1917. Aaron Copland (1900–1990) was one of the few 'serious' 20th-century composers whose music touched the heart of the 'common man'.Ĭopland's musical gifts were obvious from the start.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |